Denmark – Lone Theils – A Writer to Watch…

Today we welcome Lone Theils to the Booktrail sofa as she chats about her book Fatal Crossing – Pigerne fra Englandsbåden in Danish. This debut takes place in both Denmark and the UK and is set in the modern age of globalisation

LONEThe star of the show? Nora Sand – the no-nonsense kickboxing UK correspondent for Danish newspaper Globalt starts to investigate a suitcase and onto the trail of two Danish girls that disappeared in 1985.A chilling story inspired very much by true events…

Lone – welcome to the Booktrail and thank you for this yummy liquorice! Salted Poletter – there’s nothing like it!

Why did you choose to mix Scandinavian noir with traditional British crime?

It was natural to me, because I love both genres and I am in a way a mixture myself. I have spent most of my professional life working as a journalist out of London and so when I travel between the UK and Denmark I always say, I am going home to Denmark and I am going home to London when I travel the other way. It kind of makes sense to me.

I just love a great crime novel and I used to gobble up Agatha Christie from when I was 12 years old, later on I started on Sjöval and Wahlö, so in a way I am a product of both traditions.

Nora Sand is quite the no-nonsense kickboxing main character? Can you tell us more about her?

She is a complex person. In many ways she is so used to taking care of herself that she finds it difficult to let anyone help her or even think that asking anyone for help is an option. In that respect she is a bit annoying, you could say. But she is also this clever and quite tough journalist who knows both how to use her brain and also can use kickboxing to get out of a sticky situation.

This is mainly inspired by my own great love of kickboxing, which I do a couple of times a week.

I think there has been a tendency to let female heroines be smart, but not so physical, and I thought: Why not? Why can´t a woman be smart AND take action and defend herself?

Women can do both, I feel, and maybe that is part of my Scandinavian heritage, the Pippi Longstocking idea that girls a strong. (Pippi can, after all, lift a horse) and she is dead clever.

pigerna_fra_englandsbåden_omsl-e1439289174816Your novel is inspired by true events. Can you tell us more about this?

I read this story in Politiken online which just really stayed with me. Not least because it was illustrated by an old photo of two girls taken at the central station in Copenhagen many years ago. The story was this: In the US a serial killer had been apprehended and convicted for a number of murders, but the police suspected there were more victims. He had a pattern where he would photograph people before he killed them. After he was put on death row, the police found a storage room he had rented, and in there they unearthed literally piles of photos of unknown people. Potential victims. The background of one of these photos made it clear it had been taken in Denmark and for that reason the police in the US had contacted their Danish colleagues to try to establish who the girls were, and if they were alive at all. The piece I read was basically the Danish police appealing for information: Did anybody know these girls?

In real life they turned out to be alive. But the story stuck with me, the idea that after many years a photo would emerge who could solve a crime. I moved the setting to the ferry between Denmark and England and made the serial killer British. Deliberately I did not read more on the real story, so as to feel free to make my own twisted plot.

Your job is reporter for the Danish newspaper Politiken how has this helped or shaped your writing?

It has helped in more ways that I can count. First of all I has sent me to many corners of the UK, so it has given me knowledge about how people live, talk and what things really look like. I often approach setting a scene in the story as I would write a feature article. What details are important, how you capture people´s dialogue.

Secondly, just being a journalist gives you a good working relationship with the act of writing. You have had to respect thousands of deadlines during a working life, so you know that sometimes you cannot spend five hours waiting for inspiration. Sometimes you just sit down and get on with it, so the working discipline is there. Also as a journalist, I think you get less sensitive to editing. Which is a good thing, because what most people don’t know is that there is so much editing work with a book. So it helps that you don’t feel like crying when your editor says you have to cut five pages of this or that.

Finally it has of course helped me that I am a journalist myself and has a job that is similar to Nora´s. I know how it works to be a correspondent. Both the good and bad parts and I try to make that a part of the book.


What are the things you miss about living in Denmark? What English habit or word do you still find amusing?

I miss most of all my nieces and nephews, they are 4 to 8 years old and they don’t really get why I need to live so far away from them. One of my nephews actually at some point called me Auntie London instead of Auntie Lone. I miss friends, but it is pretty easy to stay in touch these days.

Oh, and every time I am in Denmark I stock up on Danish rye bread and liquorice (I don’t know why the Brits do not see the beauty of salty liquorice, such as Poletter  – What is not to like?)

I have in some respect turned so British in all these small things that you almost stop to notice. Such as apologizing when people bump into you, being overly polite when people are being rude to you. And I believe I have gotten the art of saying Really? as I arch my eyebrows just so down to a t. I believe in the healing powers of a good cuppa, and I even put vinegar on my chips (admittedly that last bit did take me a while to pick up on).

But there are things that I still get a little bit baffled by such as cricket (I respect it and love the white outfits, but I just cant seem to grasp the finer points), carpets on bathroom floors and how some of the more sordid papers are actually selling so well despite being so full of blatantly non-journalistic stories.

Now then – a lighter topic for a moment. What about Danish cake and drink?

One of the most Danish of cakes is, in my opinion the Brunsviger. It is a quite bready cake but with a completely decadent slather of a thick layer of brown sugar mixed with butter which melts into it in the oven. For added naughtiness some people eat with ice cold whipped cream. My mum used to make that as a birthday cake when I was a kid and would even decorate it with sweets.

For drink, a very Danish thing that I have for some reason never seen in the UK is elderberry cordial. I don’t mean the cordial you make from the flowers (which I also love), but the small black berries. It taste amazing and is also full of C-vitamins. I swear by the stuff in wintertime and I feel secretly and somewhat irrationally convinced that drinking it with hot water and sometimes a bit of fresh ginger will cure anything from flu to heart ache. I don’t know why it hasn’t caught on in the UK.

Where are you from in Denmark and why does the landscape fascinate an English audience do you think?

I was born in Holstebro, which is in the WestDENMARKern part of Jutland, not quite as rough as Søndervig, but pretty close. Western Jutland is a place where most of the trees point East because of the hard wind coming in from the West and where people tend to not speak too much and just get on with it. It probably would not be too far off to compare it a bit with Scotland. What I mostly loved about my hometown was that there was an amazing library. It played a great part in my life long love affair with books.

I feel I belong to many places in Denmark now, I lived in Århus, in Copenhagen and I have a Summer house now in Djursland. But part of me will always have a streak of Western Jutland in me. For better or for worse.

Please share with us a fun Danish word, phrase or saying.

I once had a British friend coming over for a visit to Denmark and she was laughing really hard when we passed a shop with a sign that proudly pronounced that here was a Boghandel.

You can see what she must have been thinking. In Danish it means book store. Also as a writer there is a great satisfaction when you can write the word Slut in your book. Because in Danish it means The End.

Not such a great phrase in English.

And on that note, we decide to finish the rather nice salty licquorice she’s brought. Lone you are more than welcome back.

Twitter – @LoneTheils

Facebook: /ForfatterLoneTheils



A Swedish smörgåsbord of crime fiction – with Carin Gerhardsen

The first three books set in Hammarby, Sweden
The first three books set in Hammarby, Sweden

If you are a fan of Scandinavian crime fiction, then you need to know about Carin Gerhardsen if you haven’t already read her books. Her crime novels are set in Hammarby, in the southern parts of Stockholm and follow Detective Inspector Conny Sjöberg and her team in investigating some disturbing crimes


Carin Gerardhsen (C) Anna Lena-Ahlström
Carin Gerhardsen (C) Anna Lena-Ahlström

Pepparkakshuset (The Gingerbread House) and Mamma, pappa, barn (Cinderella) and Vyssan lull (The Last Lullaby) are the first three in the series and Carin today has invited us to chat about her books with her, plus cake of course. Swedish gingerbread biscuits too….should I be worried?

Hi Carin. We just have to get chatting about your crime books set in Hammarby. Stockholm is such a pretty place but it seems to be the perfect backdrop for some grisly goings on!

The settings used in your book are very pretty places in Sweden. Why did you want to have a range of settings both inside and out of Stockholm city?

(c) Ola Ericson/
(c) Stockholm  -Ola Ericson/

I set the entire series in the southern part of central Stockholm and a bunch of suburbs south of the city. I invented that precinct myself, in order not to annoy any existing precinct and its police officers. It gives me the latitude to follow my own ideas on how the police officers should work methodology wise. Stockholm is the capital of Sweden, quite a big city with all its sounds and smells, skyscrapers, suburb ghettos for the poor, areas with detached houses for the wealthy. Stockholm is surrounded by water, forests and fields, everything I could possibly have use for in my novels.

In the Gingerbread House, was this house inspired by anywhere in particular in Katrineholm? Where did the idea for such a house come from?

The house, as it is described in the novel, was in fact – in every way – the preschool where I spent my sixth year on earth. Most of the harassment scenes in the book are my own experiences. My publisher thought that the opening scene was a little too much, so I was obliged to cut the violence down a bit. But it is a scene from my own life. I was there, so I know what children are prepared to do to each other.

Christmas stars -(c) Miriam Preis/
Christmas stars -(c) Miriam Preis/

Christmas adds another nice, idyllic dimension to the story before the terror is revealed. What is your favourite part of a Swedish Christmas?

The smörgåsbord! I love the Christmas lunch with this huge table filled with Swedish specialities such as ham, sausages, pâtés, different kinds of herring, ox-tongue, gravlax, pies, cheese and… Yeah, you name it.

 Some events take place on the metro – Stockholm metro is famous for its beauty and creativity. Which station is your favourite that people should visit?

My favourite is the Karlaplan station, with its almost one hundred meters long photo montage by Larseric Vänerlöf. It makes me laugh, and I love it.

Cinderella Girl captures the isolation of the fairytale and the name of the cruise ship which travels between Sweden and Finland. What aspects of this – isolation and claustrophobia- did you want to evoke in the novel?

There are two sisters growing up in misery surrounded by alcoholics, there is a young man who’s held captive by his abusive father, there is a little girl waking up one morning only to find that she’s been abandoned by her family in a locked apartment. So I’d say Cinderella Girl is all about different aspects of isolation.

With many thanks to Carin for an insight into the dark side of Sweden and  a great Swedish crime series that we booktrailers recommend!

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Blood on Snow – Oslo – Jo Nesbo


Why a booktrail?

A departure from the norm for Nesbo with Olav, a man tasked with killing a woman he then develops feelings for.

Story in a nutshell

Olav Johansen is a rather solitary person working as a ‘fixer’ – someone who gets rid of people his boss wants ‘taken care of’

His boss is the major player in Oslo’s prostitution and heroin ‘industries’ and wants Olav to kill his wife. As Olav prepares to research his victim, he gets to know her and finds himself falling for her. Now he wants to protect her rather than anything else – and he knows exactly the danger she is in.

Olav is not your usual fixer. He’s rather sensitive with a dry sense of humour and believes his only talent is killing.

Place and setting

Oslo Fjord where the book opens - the scene set against this darkness Oslo Harbour The warehouses on the quayside are all shut up for the night Bygdøy allé Oslo where the Hoffman’s live. Olav rents an appartment opposite *National Theatre (Nationaltheatret)  Johanne Dybwads plass 1 Olav follows someone to the underground station here Old Aker Church Akersbakken 26 A site where he waits for Corinna
Oslo Fjord
where the book opens – the scene set against this darkness
Oslo Harbour
The warehouses on the quayside are all shut up for the night
Bygdøy allé
where the Hoffman’s live. Olav rents an appartment opposite
National Theatre (Nationaltheatret)
Johanne Dybwads plass 1
Olav follows someone to the underground station here
Old Aker Church
Akersbakken 26
A site where he waits for Corinna


There is snow on the ground in Oslo. There is blood on that snow.

“The snow was dancing like cotton wool in the light of the street lamps.”

Not your usual behaviour of snow in a Jo Nesbo novel. It falls aimlessly to the ground, letting the wind blow it any which way, with the darkness of the Oslo fjord acting as the perfect black backdrop – white against black, a contrast which will acquire a shade of red – blood – later in the book.

Blood on snow reminds him of a King’s robe. His mother loved Norwegian fairytales and kings and is probably why he’s named after one.

The setting here is one of Oslo’s underbelly, the world that Olav inhabits as his boss Hoffman is the crime kingpin of the city. Involved in both prostitution and the drug’s world, he oversees the worst of Oslo society.

Olav is part of that souless and morale free world, enjoying the fact he can kill easily and that’s he’s good at it.

With a world spiralling out of control, Olav and Corina go on the run, but Oslo is not a large city. No place would be big enough to hide when Hoffman is after you. You could try doing a deal with the competition but then who plays by the rules in this game?

Oslo might be snowy, peaceful and calm on the surface, but dig a little deeper and the snow is not white and untouched. Secrets buried will surface and stain at some point..

Bookish musings

I’m still reeling from reading this. It’s very graphic and that I know is a Nesbo speciality but still… I found it strange that I was starting to worry and wonder about someone who’s just told me he kills people for a living. A killer with a conscious? I’d never read about a man who killed as he wasn’t good at anything else. A  man with dyslexia and other issues seems hellbent of doing this hideous job. Just when you think he’s human – he does something violent. The novel is short and almost reads like a novella but it does set the scene for a follow up later in the year.

I rattled through this as it’s an accessible read but I’m still shocked by that ending.